December 29, 2013

Television: Looking back at a quirky, cool ‘Doctor Who’

By Noelene Clark
Los Angeles Times

LOS ANGELES — Matt Smith has wrapped up his tenure as the star of “Doctor Who” after three years playing the time-traveling alien. His time as the ever-regenerating hero was marked by complicated puzzles of time and space, alien quirks such as a fondness for fish fingers and custard, and insisting, despite raised eyebrows from his accomplices, that “bow ties are cool.”

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Jenna-Louise Coleman as Clara Oswald and Matt Smith as the Doctor.


“Every day, on every episode, in every set of rushes, Matt Smith surprised me,” said executive producer Steven Moffat. “The way he’d turn a line, or spin on his heels, or make something funny, or out of nowhere make me cry, I just never knew what was coming next. The Doctor can be clown and hero, often at the same time, and Matt rose to both challenges magnificently.”

To celebrate Smith’s run, we look back at some of his most memorable moments. 

Making a magical debut in “The Eleventh Hour”:

When Smith first stepped on board the TARDIS, it was with a new creative team, a new leading lady and an audience still mourning Tenth Doctor David Tennant’s departure.

“We really had to have such a charm offensive in ‘The Eleventh Hour’ to sell the idea both that you like this guy who’s taken David Tennant’s place, and that somehow the same man is looking out of those eyes,” Moffat said.

The result was an episode that was part fairy tale and part superhero story, introducing Smith’s mop-haired Doctor and a little redheaded girl named Amelia Pond, who would grow up to be the Doctor’s traveling companion and best friend. As he dipped fish fingers in custard, Smith’s Doctor began to work his own quirky brand of magic, enchanting viewers and Amy Pond alike. 

Adding to a pile of good things in “Vincent and the Doctor”:

In this excellent Season 5 episode written by Richard Curtis, the Doctor and Amy befriend Vincent van Gogh, the eccentric artist whose life was marked by loneliness and mental illness, eventually ending in suicide. He was convinced his art was worthless and would be forgotten when he died.

The Doctor and Amy whisk Van Gogh off to the future to visit an exhibition of his work at the Musee d’Orsay, where the docent (a bow-tie-wearing Bill Nighy) tells the Doctor, within Vincent’s earshot, “That strange, wild man who roamed the fields of Provence was not only the world’s greatest artist, but also one of the greatest men who ever lived.”

The moment is a tear-jerker, but after taking Vincent home, Amy is heartbroken to discover the time-traveling experience didn’t alter Van Gogh’s suicide. “Every life is a pile of good things and bad things,” the Doctor tells her. “The good things don’t always soften the bad things, but vice-versa, the bad things don’t necessarily spoil the good things and make them unimportant. And we definitely added to his pile of good things.” 

Donning his iconic fez in “The Big Bang”:

In the second part of the Hugo Award-winning Season 5 finale, the Doctor uses a vortex manipulator and some timey-wimey cleverness to save all of his friends and reboot the dying universe. In the process, he dons a red fez (“I wear a fez now. Fezzes are cool.”), a device that helps audiences keep track of the complicated time-travel plot. Though the fez falls victim to River Song’s gun, it’s become iconic for fans of the series, and it exemplifies Smith’s ability to make insane goofiness seem, well, cool. 

Changing a man’s heart in “A Christmas Carol”:

Smith’s Doctor became the ghosts of Christmas past, present and future for a miserly man (Michael Gambon) whose heart needed to be warmed in order to save a crashing spaceship. The Doctor zips back in time, visiting the man when he was a boy and filling his past with holiday memories to make him a kinder adult. The Christmas special is filled with time travel antics, flying sharks and fish and a beautiful song performed by Welsh singer Katherine Jenkins, who plays a woman who is woken from cryogenic sleep – first introduced as “Nobody important.” The Doctor sums up one of the show’s recurring themes in his response. “Nobody important? Blimey, that’s amazing,” he says. “Do you know that in 900 years of time and space, I’ve never met anybody who wasn’t important before.” 

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