January 13, 2013

In The Arts: Along for the ride with Eddie, and other good stuff

By PHILIP ISAACSON

Traveling with Eddie is not easy. It requires patience and an unlimited amount of good will. I know; I've been there.

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“Louvre Entrance,” from “Visual Whispers” by Dan Dow.

Photos courtesy of the artist

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“Eiffel Tower #21 from “Visual Whispers” by Dan Dow.

Additional Photos Below

ON VIEW

"TRAVELS WITH EDDIE AND OTHER SURPRISES" --

PHOTOGRAPHS BY DIANE HUDSON

"VISUAL WHISPERS" -- PHOTOGRAPHS BY DAN DOW

WHERE: Addison Woolley Gallery, 132 Washington Ave., Portland. 450-8499

HOURS: Noon to 5 p.m. Wednesday to Saturday

CLOSES: Jan. 26


"PRINTMAKING ABC:

IN MEMORIAM DAVID P. BECKER"

WHERE: Bowdoin College Museum of Art, 9400 College Station, Brunswick. 725-3124

HOURS: 10 a.m. to 5 p.m. Tuesday to Saturday (until 8:30 p.m. Thursday); 1 to 5 p.m. Sunday

CLOSES: March 24

The Eddie in this article is the redoubtable Eddie Fitzpatrick, restaurateur, collaborator with artists and former features editor of this newspaper.

He is also a frequent subject of the amiable and shrewd eye of photographer Diane Hudson. A product of this conjunction is "Travels with Eddie and Other Surprises," one of two shows at Addison Woolley Gallery in Portland.

Although Hudson does provide a few of the advertised surprises, her accomplishment in this event is in the attuning of her eye to the antics and other moments of her principal subject.

This is a rare concession on the part of an artist. The compulsion to take control is universal in making art; allowing events to roam at will, as Hudson has done, is remarkable. Her graciousness endows her images with animation and allows them to retain their freshness.

In these photographs, things just happen. There is no sense of contrivance. Hudson's subject seems unengaged with the camera; his performances -- and there are many of them -- are for her.

Hudson does more than share those moments with the viewer -- she invites him in. There is still time to get into her pictures. You can sit next to Eddie; no one is in a hurry. How Hudson accomplishes this, I cannot say. Perhaps it comes from that amiable and shrewd eye.

"Travels with Eddie" is not a travel diary. It's more like pages from an album selected to present the subject at moments favored by the artist -- unaware private moments, antic times, smiles and, of course, flattering images. A valentine certainly, and also an achievement by an accomplished and beautifully attuned artist.

 

"VISUAL WHISPERS," a show of photographs by Dan Dow, is the companion event at Addison Woolley. It's a delight.

The largest number of images are of Paris and, as is so with all of us, they are familiar. Views of Montmartre, the Eiffel Tower, chairs in parks, a man in a cafe window and the like; they are the anticipated insignia of the city. We've seen them in every medium and in the flesh. To extract delight from a century or two of cliches is not a modest undertaking. The objects themselves are wonderful; it's the representations of them that are boring.

Dow lifts his representations from boredom to delight in a way that I may not be able to describe. I think it begins with the format. The prints are small. This contributes a visual value to them; it suggests rarity and selection.

They are principally in black and white, and the trees are not encumbered by leaves. This imparts an architectural starkness to the images -- they demand attention. The production of them is also graced by technical excellence. If you add all this up, it seems elegant -- and while I tend to avoid that term, I cite it with approbation here.

Dow's views are elegant, exceedingly well-plotted images that confirm our warm judgments of familiar place. They are in marked contrast to his Irish prints of a few years back that spoke to me of social stagnation, famine, ancient hates and ancient deaths. They remembered a history far from Dow's Paris.

These are the last shows at Addison Woolley in its present location. It will reopen shortly in a new site with a new format. Its value to the community in its present state is beyond measure. That it exists is an inspiration.

"PRINTMAKING ABC: In Memoriam David P. Becker" at the Bowdoin College Museum of Art in Brunswick is an event of first magnitude. It is not to be missed.

(Continued on page 2)

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Additional Photos

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Eddie Fitzpatrick, center, in “Porch Talk” by Diane Hudson, from “Travels with Eddie and Other Surprises.”

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From “Printmaking ABC” at Bowdoin, “A Mameluke of the Imperial Guard Defending a Wounded Trumpeter from a Cossack,” by Theodore Gericault, French, 1818 lithograph

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“Two Moths and Six Insects, from Muscarum, Scarabeorum,” by Wenceslaus Hollar, Bohemian, 1646 etching.

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“Ed in Red Following Cataract Surgery” by Diane Hudson.

  


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