Friday, May 24, 2013
By Bob Keyes bkeyes@mainetoday.com
Staff Writer
HALLOWELL - The folks who run the Harlow Gallery like to think big.

A view of the Harlow installation

Kerstin Engman’s fiberboard puzzle depicting Treble Ridge Farm in Whitefield
Photos by Gabe Souza/Staff Photographer
IF YOU GO
"CSA: COMMUNITY SUPPORTING ARTS" exhibition dates and locations:
Through Saturday, Harlow Gallery, Hallowell; harlowgallery.org
Nov. 3-30, Common Street Arts, Waterville; commonstreetarts.com
Nov. 9-Dec. 1, Sheepscot General, Whitefield; sheepscotgeneral.com
Nov. 13-Feb. 5, Savory Maine Dining & Provisions, Damariscotta; savorymainedining.com
Dec. 7-Jan. 26, Crosstrax Neighborhood Deli, Unity; crosstraxdeli.com
Jan. 4-February, Maine Farmland Trust Gallery, Belfast; mainefarmlandtrustgallery.org
Jan. 11-Feb. 24, Art Gallery at Frontier, Brunswick; explorefrontier.com
They do their share of small exhibitions that go up and come down, with little fanfare. But now and again, they do something way beyond expectation.
That's the case with the gallery's latest project, "CSA: Community Supporting Arts."
During this year's growing season, the gallery paired 14 artists with 13 Maine farms that practice Community Supported Agriculture. The artists visited the farms regularly, often getting elbow-deep dirty and helping with chores.
Based on those experiences, the artists produced a huge body of work, including paintings, drawings, sculptures, prints and videos. Some of that work is on view this month at the downtown Hallowell gallery.
This show has legs.
The volume of work was so large, the Harlow has arranged a series of seven exhibitions that will open across the region through the fall and winter. The project encompasses a geographic circle that begins in Hallowell in central Maine and extends north to Skowhegan, east to Belfast, south to Brunswick and west to Lisbon.
"Local food is one of my passions," said Deborah Fahy, the gallery's executive director. "I enjoy all the times I spend on farms and getting to know farmers and what their lives are like. We were looking for a big project, and this made sense."
It fits perfectly within the mission of the nonprofit gallery, which involves connecting art and artists with their communities to bring about lasting social change.
The hope is that the exhibitions will bring attention to CSAs across central Maine, which in turn will raise awareness of and interest in the community farms as well as the artists themselves.
It's a perfect exhibition for Maine, where art and agriculture naturally mix, said artist Christine Higgins of Readfield, who partnered with Annabessacook Farm in Winthrop.
As part of her work, Higgins made handmade paper using materials she collected at the farm, including corn stalks, cattails, garlic stems, meadow grass, collard greens and clay. With the paper, she made sculptural maps, among other things.
"Maine has a real strong regard for conserving the natural resources and for the use of the land. That is something I really responded to," Higgins said. "I hope people who see these shows think more about the land and the use of the land -- past, present and future."
Especially in Maine, CSAs are a popular trend, following in line with the growth of the local food movement. CSAs offer consumers the chance to buy locally grown seasonal food directly from a farmer through a system of shares. In return for buying a share, the consumer receives a bounty of vegetables on a regular basis throughout the growing season.
It's akin to a membership or subscription, and it's a direct way for people to support community farms.
According to the Maine Organic Farmers and Gardeners Association, Maine has more than 160 CSAs and more than 6,500 family investors.
ARTISTS CAME RUNNING
The Harlow Gallery secured about $16,000 in grant money for the project. Among the funders were the Maine Community Foundation, the Davis Family Foundation and the Maine Arts Commission.
When it announced a call for artists, the gallery was overwhelmed by the response, said Chris Cart, who helped organize the show.
"We had to turn away a lot of good artists," Cart said. "We did not want just a painting show or just a sculpture show. We were looking for artists who would provide a real textural mix."
Tyler Gulden of South Bristol made clay pots based on his experience at Morning Dew Farm in Newcastle. Gulden is executive director of the Watershed Center for the Ceramic Arts in Newcastle, which borders the farm. He and his family are members of Morning Dew's CSA, and the farm supplies Watershed with food, as it does several local and regional restaurants and markets.
(Continued on page 2)
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“Bucket of Chicken” by artist Matt Demers, who worked with Snafu Acres in Monmouth Courtesy photo |
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“Dig In” by Aleana Chaplin, who partnered with Winterberry Farm in Belgrade |
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Collaborative weaving by Kim Christensen and Jamie Ribisi-Braley, working as partners at Wholesome Holmestead in Winthrop Courtesy photos |
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“Half Acre in Winter II,” mixed media by Petrea Noyes, partnered with Crescent Run Farm in Bremen |
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“Bees,” linocut by Scott Minzy, who partnered with Long Meadow Farm in West Gardiner |
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