Friday, December 13, 2013
By MARK OLSEN, McClatchy Newspapers
It remains to be seen whether "Spring Breakers" turns out to be one of the movies of the year, but it is without question a movie of its moment. It has been a source of intense interest since shooting first started around St. Pete Beach in Florida last spring, as images began to surface via paparazzi and social media of young starlets Selena Gomez, Vanessa Hudgens and Ashley Benson.
Rachel Korine, left, Selena Gomez, Ashley Benson, James Franco and Vanessa Hudgens in “Spring Breakers.”
"SPRING BREAKERS," starring Rachel Korine, Selena Gomez, Ashley Benson, Vanessa Hudgens and James Franco. Directed by Harmony Korine. Rated R for strong sexual content, language, nudity, drug use and violence throughout. Running time: 1:33
Seeming to be a part of raunchy spring break shenanigans, they were seen riding scooters, frolicking on the beach and being marched around in bikinis and handcuffs. The chaotic energy of that fun-house atmosphere, where sometimes paparazzi outnumbered the film's crew, was something that writer-director Harmony Korine realized he had to capture in the film itself.
The fractured storytelling of the movie -- what Korine calls its "liquid narrative" -- along with imagery and dialogue ready-made for the culture of Twitter/ Tumblr/ Instagram, make it a film engaged with the uncertainty, complications and communication of right now.
The film has a looping, disorienting structure that takes on a narcotic tinge as the story follows four small-town college students who fund their spring break party trip with a robbery, setting them off on a crime spree that doesn't stop. With its woozy score created by electronic musician Skrillex and "Drive" composer Cliff Martinez, Korine describes "Spring Breakers" as "like a violent pop song that smashes you in the head and disappears into the night."
"I wanted it to work in both ways," Korine explained in Los Angeles, still with the spirit of a slapstick imp even though he is now a 40-year-old married father living in Nashville. "I wanted to make a movie that was about a culture of surfaces, and the film is about the way things look and feel, and a certain type of audience can react to and enjoy only the surface. But then the true meaning, the pathology, is the residue from that."
The film had its U.S. premiere earlier this month as part of the South by Southwest Festival in Austin, Texas.
"Spring Breakers" is the latest from one-time enfant terrible Korine, best known for the confrontational, transgressive '90s works "Kids" and "Gummo" that made him a celebrity of the alternative demimonde. After a few years away from filmmaking following 1999's "Julien Donkey-Boy," a jarring tale of schizophrenia, he re-emerged with 2007's lyrical "Mister Lonely," about a colony of celebrity impersonators, and 2009's prankish "Trash Humpers," about a marauding gang of the elderly.
Korine now makes an unlikely play for mainstream accessibility while maintaining his edge. With a cast that includes young stars Gomez, Hudgens and Benson, the film also features the ever-busy James Franco as a flamboyant character named Alien; Korine's wife, Rachel; rapper Gucci Mane; and, for good measure, "Glee" star Heather Morris in a small role.
The film, made for around $5 million, premiered last fall at prestigious festivals in Venice and Toronto. After an energized first public screening in Toronto -- the crowd burst into cheers when the tender Britney Spears ballad "Everytime" faded up -- most questions from the audience of young fans of the stars were along the lines of curious bewilderment, variations on "What was that?"
"I think what's interesting about Harmony is he wants that reaction," said Gomez, alongside Hudgens and Benson in Los Angeles after a recent European tour with the film. "So in a way that's what we expect."
In conversation the trio -- everyone involved in the film seems to just call them "the girls" -- have the poise one might expect. Gomez and Hudgens come from the Disney school of multi-talent child stars and Benson is one of the leads on the popular ABC Family show "Pretty Little Liars." They have a combined Twitter following roughly equivalent to the population of the Netherlands, yet they seem reluctant to engage with how the film maneuvers the power of their celebrity to its own ends.
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