January 9, 2011

Year of the Drawing

Throughout 2011, museums and galleries celebrate this ephemeral art form with The Maine Drawing Project.

By Bob Keyes bkeyes@pressherald.com
Staff Writer

ROCKLAND — By their very nature, drawings feel fleeting. They often represent an artist's early vision of a painting or sculpture, or a first impression of a subject that might later become a portrait.

click image to enlarge

British artist Thomas Rowlandson’s “Norfolk Broads,” circa 1795, watercolor, graphite and ink, from the Portland Museum of Art’s “European Drawings,” opening in March.

Courtesy Portland Museum of Art

click image to enlarge

Yvonne Jacquette’s 1971 graphite on paper, “Passagassawkeag,” at the Farnsworth Art Museum in Rockland (opens Jan. 22).

Courtesy Farnsworth Art Museum

Additional Photos Below

"WHERE TO DRAW THE LINE: THE MAINE DRAWING PROJECT"

WHERE: Almost two dozen art institutions statewide

WHEN: Throughout 2011. The first opening is "Mind to Hand" on Jan. 22 at the Farnsworth Art Museum in Rockland 

OTHER PARTICIPATING INSTITUTIONS:

• Portland Museum of Art

•  Saco Museum of Art

•  Colby College Museum of Art

•  Bates College Museum of Art

•  Bowdoin College Museum of Art

•  Ogunquit Museum of American Art

•  Pace Galleries at Fryeburg Academy

•  University of New England

•  Heartwood College of Art, Kennebunk

•  Barn Gallery, Ogunquit

•  Unity College

•  University of Southern Maine

•  University of Maine-Presque Isle

•  University of Maine Museum of Art, Bangor

•  Lord Hall Galleries, UMaine-Orono

•  Waterfall Arts, Belfast

•  Maine College of Art, Portland

•  L.C. Bates Museum, Good Will-Hinckley

• George Marshall Store Gallery, York

•  Center for Maine Contemporary Art, Rockport 

DETAILS: tinyurl.com/mainedrawingproject

Drawings are more ephemeral than paintings. They're subject to degradation over time, and are among the most fragile works an artist might produce. Because of their delicate nature, museums often do not exhibit them. When they do, those drawings are on view for brief periods of time to limit their exposure to light.

And yet, a drawing also represents perhaps the most accessible entry point to an artist's work. We all draw. We can all leave our mark with pencil or similar instrument on paper. As kids, drawing was among our first means of communication and self expression. Drawing is personal, often unadorned and entirely autographic.

This year, almost two dozen Maine museums and galleries collaborate for "Where to Draw the Line: The Maine Drawing Project," a statewide effort designed to encourage institutions to look deep into their collected works. Throughout 2011, institutions from York to Presque Isle and from Bangor to Fryeburg will mount exhibitions that celebrate the intrinsic joy of drawing.

Participating institutions range from the largest museums in Maine to tiny noncommercial galleries. Some will show traditional forms of drawings, others are exploring nontraditional notions. As an example of the latter, this fall at Lord Hall Gallery at the University of Maine, curator Laurie Hicks will invite seven to 10 artists from around Orono and Bangor to come to the gallery and draw directly on the walls.

The Maine Drawing Project takes it cue from the Maine Print Project, a similar but more involved and coordinated statewide effort in 2006 that focused on the history of printmaking in Maine. The drawing project is less involved than the print project -- there is no catalog, and institutions are free to mount shows that include work made outside the state.

But the premise is similar.

"We decided we wanted to come back again and do a focused, cohesive statewide initiative," said Hicks, professor of art at Orono. "We went around and around on a lot of different topics, and eventually decided to keep with the initial strategy of a media-specific focus. Last time is was prints; this time it's drawing."

Exhibitions will open across the state throughout the year. The first opens Jan. 22 with "Mind to Hand" at the Farnsworth Art Museum in Rockland. The title refers to the act of drawing, said Farnsworth curatorial assistant Jane Bianco.

In its purest and simplest form, drawing represents the immediate transfer of information and impressions from mind to hand, she said, quoting Italian painter Giorgio Vasari, who described drawing as "a visible expression and declaration of our inner conception."

Of drawing and sketching, Monhegan artist Reuben Tam wrote in his journal that "these material entities (serve) as the only physical proof of one's vision and quest "

"Mind to Hand" is one of three drawing exhibitions the Farnsworth will host this year, and it encompasses a variety of drawings from the museum's permanent collection. The show will be on view for a relatively short amount of time -- until April 3 -- because of the risk to the drawings of prolonged exposure to light.

The drawings themselves go back to Jonathan Fisher's 1794 architectural drawing of a planned schoolhouse. Fisher, who settled in Blue Hill, made the drawing while studying math and divinity at Harvard. It's a complex sketch in ink and pencil, showing floor plans, views of the schoolhouse from different angles, and a series of notes in his hand explaining details of the proposed building project. His handwriting is lovely, and becomes part of the design of the drawing itself.

(Continued on page 2)

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Additional Photos

click image to enlarge

Untitled by Edwin Brown, 1888, ink and graphite, at the Farnsworth.

Courtesy Farnsworth Art Museum

click image to enlarge

1815 graphite-on-paper portrait by Jean-Auguste-Dominique Ingres, at the Portland Museum of Art (opens March).

Courtesy Portland Museum of Art

 


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