Thursday, December 19, 2013
By Ray Routhier firstname.lastname@example.org
Jeff Smith loves librarians.
Jeff Smith, the creator of the popular serials “Bone” and “RASL,” speaks on Saturday at the Portland Public Library.
MAINE COMICS ARTS FESTIVAL
WHEN: 10 a.m. to 5 p.m. Sunday
WHERE: Ocean Gateway, off Thames Street, Portland
HOW MUCH: $5; free for ages 12 and under
WHAT ELSE: Three of the festival's comic artist guests -- Jeff Smith, Rick Parker, and Raina Telgemeier -- will give free talks on Saturday at the Portland Public Library, 5 Monument Square.
AT RIGHT IS A SCHEDULE of events for the Maine Comics Arts Festival. Saturday events are at the Portland Public Library, and are free. Sunday events are at Ocean Gateway ($5 admission fee), along with more than 100 comic artists displaying and talking about their work. Organizers say more events will be scheduled for Sunday, so check the festival website for updates.
1 p.m. -- Jeff Smith, creator of "Bone" and "RASL," discusses past work and coming projects.
2 p.m. -- Rick Parker, artist for "Beavis and Butt-Head," "Harry Potty" and others, shares tips and techniques for drawing comics. Members of the audience will be encouraged to draw.
3 p.m. -- Raina Telgemeier, creator of "Smile" and "Drama" and artist of the "Babysitter's Club" series, discusses her current projects and work process.
10:30 a.m. -- Kid's cartooning class with Maine cartoonist Jeff Pert
11:30 a.m. -- Panel discussion with artists Colleen Venable, John Green and Zack Giallongo
1 p.m. -- Lake Region High School comic class project
2 p.m. -- TBA
3 p.m. -- Sean Murphy panel discusses artist Murphy's past and current work, as well as his coming series "The Wake" with writer Scott Snyder
The comic book writer and artist grew up during the late '60s and early '70s, when his favorite "Archie" and "Batman" comics were sold at drug stores and disparaged by his elders.
But around the time he was making his name as a comics creator, comic books were beginning to evolve to the point that they were no longer the "ephemeral pamphlets" of Smith's youth, but magazines and graphic novels with substantial plots and thoughtful writing.
And although a lot of different factors went into the legitimizing of the comic book form, Smith gives most of the credit to librarians.
"In the '90s, there was a wave of (comics artists) in my generation who wanted to do more, but we couldn't get our work into libraries, into Barnes & Noble," said Smith, 53, best known for the "Bone" comic book series. "It was the school librarians who broke down the wall for us, who put these books where kids could get at them."
And it was librarians, says Smith, who helped comics creators like him get on The New York Times Best Sellers lists.
So it's appropriate that Smith will be speaking at the Portland Public Library on Saturday as part a of the fifth annual Maine Comics Arts Festival. Smith will appear along with Rick Parker, artist of "Beavis and Butt-Head" and spoofs of the "Harry Potter" franchise, and Raina Telgemeier, creator of "Smile" and "Drama" and artist for the "Babysitter's Club" series.
On Sunday, the main part of the festival -- known lovingly as "MECAF" by its fans -- will be held at the Ocean Gateway terminal on Portland's waterfront. In addition to panels and workshops, it will feature more than 100 artists displaying and selling their work while they sketch and talk casually to fans.
The festival is different than most comic conventions, says co-organizer Rick Lowell of Casablanca Comics in Portland and Windham, because it focuses on artists and comics creators exhibiting their work rather than comic book vendors and adventure games.
Of all the writers and artists scheduled to be at the festival on Sunday, Lowell estimates that a third or more are people who make their living from comics and are well-known to comic book readers. Others are still trying to make it the business; many are from Maine and other New England states.
In addition to Smith, Parker and Telgemeier, some of the better-known comics creators scheduled to appear include Brian Wood ("Star Wars," "Mara"), Sean Gordon Murphy ("Punk Rock Jesus," "Hellblazer"), Dave Roman ("Astronaut Academy," "Teen Boat") and Ming Doyle ("Popgun Anthology").
"The main thing about this festival is that people can interact with the creators, talk, watch them sketch," said Lowell. "As a fan, I just think it's more interesting to talk to the creative people. We've dealt with (artists) for years, and they're some of the nicest people you'll ever meet."
Smith's best-known work, "Bone," is basically one long story about cartoon characters who are essentially pieces of bones. It was published as a comic book in the 1990s and 2000s, and later collected in book form.
Smith first drew the characters of "Bone" when he was about 10 years old and reading a lot of "Peanuts" and other comic strips of the day. He began to wish that comics like "Archie" or "Uncle Scrooge" could be as long as "The Iliad" and have "real consequences." That's why he made "Bone" one long story that kept going over the years.
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