You don’t have to be a film geek (like, well, me) to recognize that women are under-represented in the movies. If you doubt that fact, try watching your next film with the Bechdel Test in mind.

Created in 1985 by writer Alison Bechdel, the Bechdel Test isn’t some comprehensive overhaul of the motion picture industry. In fact, it sets the bar ridiculously low in order to point out how women characters are traditionally portrayed in fiction. As you watch (or read), just ask three simple questions:

1. Are there at least two women in the work?

2. Do they talk to each other for more than a few seconds?

3. If they do, is it about something other than a man?

Go ahead. Think about your favorite movie. It probably fails. Heck, I just finished reviewing an entire season of a would-be prestigious TV cop drama and in its 10-episode run, I’m fairly sure it flunks the Bechdel Test. Ten episodes of TV. Think about that …

The women at the Bluestocking Film Series sure have. Their series continues its mission of showcasing woman-made short films which, apart from being great movies from around the world, also pass the Bechdel Test with flying colors.

The latest Bluestocking Film night is Saturday at Maine College of Art’s Osher Hall in Portland. The show starts at 7 p.m., with tickets running just $5 in advance ($7 at the door) – check for details.

So what will you see this time around? According to the Bluestocking description: “Astronauts? Check. Zombies and lesbians? Check. WWII resistance fighters? Check. Teenage girls on the prowl, a grandmother with an unconventional diet, and a businesswoman on an obstacle course to work? Yes.”

Having had the opportunity to see a few of the films, I can confirm that description is accurate, and also that anyone attending the screening is in for an excitingly varied night out at the movies.

“Good Night,” a British short directed by Muriel D’Ansembourg is a naturalistic and harrowing portrait of two sexually precocious 14-year-old British girls whose plans for a night on the town quickly get out of hand. Nominated for a mantel-ful of awards (including a BAFTA, the British Academy Award), it’s an insightful and sobering depiction of how dangerous the world is for young women insufficiently experienced in navigating it.

“Plan B,” directed by Shirin Brown, is insightful in its own way (while being much more lighthearted and energetic) as it follows a professional single mother’s increasingly desperate and surreal efforts to fulfill all of her responsibilities.

All in all, this installment of the Bluestocking Film Series promises something for everyone – and more for women than usual.

Dennis Perkins is a Portland freelance writer.

Only subscribers are eligible to post comments. Please subscribe or to participate in the conversation. Here’s why.

Use the form below to reset your password. When you've submitted your account email, we will send an email with a reset code.

filed under: