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SHIPWRIGHTS move the Mary E down the dock at Maine Maritime Museum in May. The 102-year-old schooner will be the subject of a recommissioning ceremony on Saturday. NATHAN STROUT / THE TIMES RECORD
SHIPWRIGHTS move the Mary E down the dock at Maine Maritime Museum in May. The 102-year-old schooner will be the subject of a recommissioning ceremony on Saturday. NATHAN STROUT / THE TIMES RECORD

BATH

Standing out on end of the dock at the Maine Maritime Museum, the simple elegance of the relatively tiny 73-foot wooden schooner is a striking comparison to Bath Iron Work’s giant blue Land Level Transfer Facility just up the river, where it puts massive steel destroyers into the water.

“I think it’s so cool that we have that juxtaposition so visually right here,” said Katie Spiridakis, director of communications for the museum.

The small ship is the Mary E. Built-in 1906 on the site where BIW currently stands, it is the oldest Bathbuilt vessel still floating. The museum will have a recommissioning ceremony for the restored schooner from 10 a.m. to 3 p.m. next Saturday, June 9.

This will be the first chance members of the public will have to climb aboard the schooner. Volunteers will be on hand to explains the vessel’s history, and there’ll be a number of activities for visitors, with live music, demonstrations, food trucks and more. Visitors can also explore the museum’s other exhibits and features.

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RESTORATION WORK on the Mary E. at Maine Maritime Museum in Bath. CONTRIBUTED PHOTO VIA MAINE MARITIME MUSEUM
RESTORATION WORK on the Mary E. at Maine Maritime Museum in Bath. CONTRIBUTED PHOTO VIA MAINE MARITIME MUSEUM

Mary E. reminds one of a time when Bath was known more for its wooden ships, not the steel destroyers it produces now. Back at the beginning of the 20th century, ships like the Mary E were exceedingly common.

“One of the unique characteristics of Mary E is that in 1906 there was nothing exceptional or special about her,” said Spiridakis. “These were like a dime a dozen. That one survived this long for no good reason is pretty amazing.”

Thomas E. Hagan of Bath built the schooner more than a century ago, and quickly sold it to some individuals from Block Island, Rhode Island. By the time it got there, the vessel had already received her first modification — a gasoline engine.

In the decades after that, the Mary E seems to have done a little bit of everything. While her history isn’t certain — again, at the time the ship was “a dime a dozen” and no one was carefully documenting her activities for future historians — accounts list her as being used at various times for fishing, trade, passenger or postal service, and maybe even rum-running.

During WWII, the ship was reoutfitted as a dragger, and was engaged in the fishing trade for some years before she sank in a hurricane off the coast of Massachusetts. Seeing an ad asking $200 for a half-sunken Bath-built ship, William R. Donnell II of Bath bought the Mary E and had her raised and brought to Bath where she underwent a two-year restoration process.

Following that, there were a number of owners who used it as a passenger vessel or for their own pleasure, until it was bought in 2006 by Matt Culen, who began another restoration effort.

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In 2016, the Maine Maritime Museum acquired the schooner that represented such an important piece of Bath history, determined to bring her home.

“There couldn’t be a more perfect boat for us, I think,” said Spiridakis.

Restoration and Maintenance

Spiridakis said the museum has launched a campaign to raise $2 million to restore the Mary E and keep her in good condition for museum visitors for year to come. The campaign is in two phases: The initial one for acquisition and restoration, the second for longterm maintenance. The museum has already raised $1.1 million toward the project, which covers the first phase.

Now the museum is entering the maintenance piece of fundraising.

“The second phase we’re calling ‘Keep Her Sailing,’ so that’s our long term maintenance,” said Spiridakis. “Right now we’re just building those reserves so that we have money for annual maintenance and anything else that might come up.

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“Obviously, a vessel in the water — particularly a wooden vessel — has a unique set of challenges, most notably the long-term maintenance that is going to be required,” she added. “Just having something that requires that much maintenance is a huge obligation that is not typical of collections objects.”

Already, restoration efforts have been significantly more expensive than expected.

“Hugely more expensive,” said Spiridakis. “I think, actually, the work overall doubled from what we had originally anticipated. Once they started getting in there, things just kept getting uncovered.”

While the original plan was to simply replace the decking and bulworks, the shipwrights involved, led by master shipwright Andros Kypragoras, ended up making a number of changes, including essentially redoing the back 10-15 feet of the entire schooner.

“What’s unique about the Mary E’s restoration is, in addition to getting a whole bunch of new wood, is they decided to reframe the whole 14 feet of the stern,” said Kurt Spiridakis, director of Watercraft and Traditional Skills. “They basically cut off the whole back of the boat.”

Although the Mary E didn’t look bad for a century-old boat — she was still floating at least — over the years her stern had drooped noticeably. To restore her to original look and ensure she was shipshape for years to come, the shipwrights decided to reframe the stern — a large endeavor to say the least.

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“That was one of the most interesting parts of the restoration for the shipwrights — figuring out how to bring her stern back up to the original lines of the boat,” he said.

While they didn’t have original blueprints to the ship or anything like that, Kurt Spiridakis said it was clear that something was off. The newly reframed stern is just the newest modification to a ship that has seen multiple changes and restorations over the years.

“There have been so many restorations before we got her, we don’t know what is original,” said Katie Spiridakis.

Yet despite new parts, new framing and fresh paint, the ship probably looks closer to what she did in 1906 than she has in decades.

“We reconfigured the whole deck so she’d be more closely matched to a 1906 fishing schooner, which was what her original intention was, because she had many other lifetimes since then,” said Katie Spiridakis. “This is much more the traditional configuration.”

According to Kurt Spiridakis, they still have a lot to do before the recommissioning of the Mary E next weekend, including putting the masts in. Still, the mass of the year-long process has been completed.

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A Life at the Museum

Following the recommissioning, the Mary E will be a regular part of the museum through October, although staff are still working out what they’ll use her for.

“For this year, we’re taking it very easy,” said “Kate Spiridakis. “The majority of the time she’s going to be at the dock.”

The museum has hired a captain and crew for the vessel, but it could be a while before they’re comfortable enough to take people out on tours.

“We don’t have any paid cruises schedule right now,” said Katie Spiridakis. “We’re going to really see how she handles and what we’re comfortable with.

“We don’t even know how long it would take her to get down to the point and back,” she added. “It’s impossible to schedule those kinds of things until we get the rig on her and see what it’s like.”

In the meantime, the Mary E will be open to museum visitors at no extra cost, and volunteers will be onboard to explain the history and features of the vessel. It will also be on display at the Boothbay Windjammer Festival and Tall Ships Portland later this summer.

nstrout@timesrecord.com

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