Arts Review
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PublishedSeptember 29, 2019
First-rate, funny ‘The Clean House’ kicks off Portland Stage season
Director Cait Robinson captures the author’s magical way of combining both broad and subtle humor with a heartwarming message.
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PublishedSeptember 29, 2019
Portland Early Music Chapel Series explores the French Baroque style
Timothy Burris builds his program around the Tombeau, a French form in which composers memorialized dignitaries and other musicians.
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PublishedSeptember 29, 2019
Maine State Ballet opens season with captivating production of ‘The Firebird’
The classic fairy tale was made into one of the first important ballets of the 20th century by the legendary Ballets Russes.
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PublishedSeptember 29, 2019
Art review: Mark Baum’s bifurcated career on view at Maine Jewish Museum
He painted landscapes and cityscapes in a primitive style until 1958, then changed to an abstract mode.
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PublishedSeptember 29, 2019
Review: ‘Where’s My Roy Cohn?’ is a blunt, absorbing account of a master manipulator’s life and crimes
The documentary takes its title from words President Trump uttered after what he perceived as a betrayal by his then-attorney general, Jeff Sessions.
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PublishedSeptember 27, 2019
Theater review: Young friends in 1969 wrestle with Vietnam, chase sex and celebrate music
'Rock & Roll,' a new show by Maine playwright Kevin O’Leary, reflects on a brief era, and its lasting aftermath.
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PublishedSeptember 23, 2019
Concert review: A new music director’s first concert is always a test
The PSO's Eckart Preu passed with flying colors Sunday with two familiar works and another by a relatively unknown female composer.
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PublishedSeptember 23, 2019
Movie review: ‘Hustlers’ is an instant crime classic
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PublishedSeptember 23, 2019
Movie review: ‘Goldfinch’ doesn’t live up to the book
The movie is too long and too short at the same time, never giving us a chance to learn and care about the leading character.
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PublishedSeptember 23, 2019
Movie review: ‘Ad Astra’ takes astronaut’s innermost self-exploration out of this world
The film is not without flaw, but for the most part delivers.
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