‘Big Friendship: How We Keep Each Other Close’ gives friendship the same respect as society normally reserves for marriage and family.
Review
‘Intimations’: Exquisite essays wring truths from the pandemic
Zadie Smith’s slim but amply perceptive volume is a kind of balm in an anxious year.
Movie review: ‘I Used to Go Here’ is a comedy pregnant with possibilities
There must be a German word for it: That feeling of instant familiarity and creeping displacement that sets upon the young-middle-aged when they revisit a place of their not-so-distant youth. It could be their childhood bedroom. Or a once-favorite bar. Or the town where they went to college – like Carbondale, Ill., the setting for […]
Movie review: ‘Boys State’ offers hope about our next generation of leaders
Three summers ago in Austin, a thousand or so rising high school seniors participating in a mock legislature for youth leaders made national headlines, voting to secede from the Union. It was, of course, a toothless vote, made during an annual gathering known as Boys State, one of many such programs for precocious male adolescents […]
A Vietnamese boy grows up in a small Pennsylvania town and searches for his place in the world
In Phuc Tran’s memoir “Sigh, Gone,” books, punk rock and encouraging teachers all help him to eventually flourish.
Movie review: A low-key ‘Secret Garden’ that still blooms
For more than a century, Frances Hodgson Burnett’s ‘The Secret Garden,’ first published in 1911, has endured.
In this moving debut novel, Maine writer Betty Culley tells a tangled tale in free verse
Set in the aftermath of a terrible gun accident, ‘Three Things I Know are True” revolves around 15-year-old Liv, her immobile brother, his best friend and an upcoming trial about who is at fault for the tragedy.
Concert review: Chamber musicians meet challenge of performing remotely
The Portland Chamber Music Festival continues with performances Sunday and Thursday.
Movie review: ‘She Dies Tomorrow’ is a queasily effective horror film for the pandemic era
Writer-director Amy Seimetz dredges up a queasily effective sense of impending doom in “She Dies Tomorrow,” a vivid but vaporous portrait of collective unease that feels uncannily of this moment. The film opens on the teary, bleary eye of an obviously distraught woman. It belongs to a character named Amy (Kate Lyn Sheil), who has […]
In ‘Memorial Drive,’ Natasha Trethewey reclaims her mother’s life from the man who took it
Trethewey excavates her mother’s life, transforming her from tragic victim to luminous human being.