’12th Night: A Holiday Celebration of Shakespeare and Song’ weaves modern Christmas songs into the performance.
Review
With the movie ‘Encounter,’ you’ll come for the alien thriller, but stay for Riz Ahmed’s performance
“Encounter” opens with a shot of a bright celestial object streaking across the night sky, followed by ickily close-up footage of insects, particularly the mosquito – or, it is suggested, some mosquito-like E.T. – that pierces the skin with its proboscis and deposits something nasty into the bloodstream. To wit: that something is a nonterrestrial […]
Theater review: ‘Dying to Know’ gets a moving premiere at Mad Horse
The play, written by Maine’s David Butler, tackles serious subjects with stellar acting.
Book review: ‘Wait: Poems from the Pandemic’ reveals our anxieties, longings and loneliness
In a ‘landscape transformed,’ Maine writers and artists describe pain, hope and ‘the boring parts of keeping us alive’ in these extraordinary times.
Neal Stephenson’s ‘Termination Shock’ is another prescient page-turner
In his latest thriller, a geoengineering scheme to save the planet goes awry.
Art review: ‘Tenera’ taps into the warmth of the womb
The exhibit at Speedwell Projects explores motherhood, in families and in nature.
Review: Maine State Ballet delights audience with return of ‘The Nutcracker’
The production is back in person at Merrill Auditorium through Sunday.
Fashionable drama goes to great lengths to do not very much at all
“House of Gucci” is a movie about passion, not fashion. The soap-opera-like tale, which tells the true story of the 1995 murder of fashion heir Maurizio Gucci by thugs hired by his ex-wife Patrizia Reggiani, is also – if you believe the trailer, which touts the following themes, in all caps – about money, family, […]
Joaquin Phoenix in ‘C’mon C’mon’ is light-years away from ‘The Joker’: unforced, natural, yet still great
“There are no right or wrong answers.” So says Johnny, a patient, constantly curious radio journalist portrayed by Joaquin Phoenix in a gratifyingly mellow, unmannered turn in “C’mon C’mon.” As the film opens, Johnny is in Detroit interviewing young people for a “This American Life”-adjacent project about children’s’ feelings about their future. Actors often say […]
‘Ghostbusters: Afterlife’ isn’t exactly DOA, but it could use a script doctor
It’s got plot holes big enough to drive an ectomobile through.