LOS ANGELES
Bruce Brown, whose 1966 surfing documentary “The Endless Summer” molded the image of the surfer as a seeker of adventure and fulfillment and transformed the sport, has died. He was 80.
Brown died of natural causes Sunday in Santa Barbara, said Alex Mecl, general manager of Bruce Brown Films.
Along with the music of the Beach Boys, Brown took surfing from a quirky hobby to a fundamental part of American culture.
Surfers had largely been portrayed as beach blanket buffoons in the mindless party movies of the early 1960s.
Then came Brown and “The Endless Summer” with his beautiful, soulful story of surfers on a quest for fulfillment — an image that became emblazoned on the cultural psyche.
“His timing, everything, was perfect,” said legendary big-wave surfer Greg Noll, a friend of Brown’s since they were young and a fellow filmmaker.
People were interested in surfing and Brown took it to a new level, Noll told The Associated Press on Tuesday.
“Thank you for showing us the world as you saw it, Bruce Brown,” Kelly Slater, 11-time world champion surfer, said in an Instagram post Monday. “There are never enough words to say goodbye properly.”
Brown, who took up surfing in the early 1950s, had made five other documentaries about the sport before “The Endless Summer,” including 1958’s “Slippery When Wet” and 1960’s “Barefoot Adventure.”
Like all the others, it was shot on a tiny budget with Brown performing nearly every duty, from camera operator to narrator.
The film follows two surfers, Robert August and Mike Hynson, as they hop hemispheres to constantly surf wherever it is summer, from Hawaii to Australia to South Africa to Senegal.
“He had a great theme,” Noll said.
Surfers considered Brown a peer who just happened to carry a camera instead of a board. He shot the film loosely and casually and the style proved infectious when the public saw the movie.
“I never had formal training in filmmaking, and that probably worked to my advantage,” Brown said in a 2004 interview for his film company’s website.
The trio’s charisma and the film’s natural beauty made it an unlikely hit.
The Times Record Sustaining Sponsor
We believe a community must be informed to thrive. bowdoin.edu
Comments are not available on this story. Read more about why we allow commenting on some stories and not on others.
We believe it's important to offer commenting on certain stories as a benefit to our readers. At its best, our comments sections can be a productive platform for readers to engage with our journalism, offer thoughts on coverage and issues, and drive conversation in a respectful, solutions-based way. It's a form of open discourse that can be useful to our community, public officials, journalists and others.
We do not enable comments on everything — exceptions include most crime stories, and coverage involving personal tragedy or sensitive issues that invite personal attacks instead of thoughtful discussion.
You can read more here about our commenting policy and terms of use. More information is also found on our FAQs.
Show less