With the Hollywood stunt community continuing to lobby for its own Academy Award category, “The Fall Guy” arrives as Exhibit A in the case for a stunts Oscar. Helmed by stuntman-turned-director David Leitch (“Atomic Blonde,” “Bullet Train”; producer of the John Wick series), it’s an action-comedy-romance-mystery, heavy on the flipping cars, high-speed chase scenes and […]
Review
Review: Alvin Ailey American Dance Theater wows packed house at Merrill
Dancers displayed power and grace in the company’s signature style throughout the performance Tuesday.
At Bowdoin, drawings entrance and Asian American art is reframed
Two shows, on display through June 2 at the Brunswick college’s art museum, are worth a look.
Classical review: ChoralArt performs Brahms Requiem to a packed house
The concert at Woodfords Congregational Church had been rescheduled because of a snowstorm.
New novel set in rural Maine explores the dark corners of a treatment center for troubled teens
In Martha Tod Dudman’s ‘Sunrise and the Real World,’ the line between resident and professional is often razor-thin.
How climbing Mount Everest went from a rare feat of heroism to big business
In ‘Everest, Inc.,’ journalist Will Cockrell tells the story of the industry that conquered the world’s tallest peak.
In her ‘terrific’ debut collection, Rebecca Turkewitz offers 13 haunting tales
Many of the stories are set in New England towns, and, as with all the best horror, the chills stem from very human fears.
How to make a group show coalesce? Two exhibits offer different answers
And the approach of a third show in Portland – a solo exhibit with a tighter focus – presents a stark contrast.
Review: In ‘Clyde’s’ at Portland Stage, sometimes a sandwich is more than a sandwich
Former inmates employed at a truck stop work out past mistakes and hopes for the future while making lunch.
Two painting shows to see now – one orderly and controlled, the other full of raw energy
Grace DeGennaro’s works are at Zero Station Gallery in Portland, and L/A Arts in Lewiston is hosting ‘Serafim Yssolo: Life on Scraps.’