In Martha Tod Dudman’s ‘Sunrise and the Real World,’ the line between resident and professional is often razor-thin.

Many of the stories are set in New England towns, and, as with all the best horror, the chills stem from very human fears.

A woman’s secret past may have something to do with a child’s abduction in Liv Andersson’s skillful and intricate thriller.

In Ferdia Lennon’s ‘Glorious Exploits,’ prisoners during the Peloponnesian War are enlisted to put on a performance of the tragedy ‘Medea.’