Leslie Bridgers is the features editor for the Portland Press Herald, overseeing coverage of arts, entertainment and culture. She spent 10 years as a reporter, half of that time for the Portland Press Herald, covering the western suburbs of Portland, writing feature stories and working on special projects. Originally from Connecticut, Leslie came to Maine by way of Bowdoin College and never left.
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PublishedJanuary 24, 2022
Tap Lines: Maine brewers get crafty with nonalcoholic beers
These breweries are making breaking from booze a lot easier to swallow.
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PublishedJanuary 24, 2022
Indie Film: Government response to filmmaker’s activist antics leads to a sequel
‘Why Is This Happening? The U.S. Govt. v “2020: The Dumpster Fire” ‘ is available on Rod Webber’s YouTube channel.
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PublishedJanuary 23, 2022
Deep Water: ‘A No Poem,’ by Kate Faragher Houghton
Maine poems edited and introduced by Megan Grumbling.
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PublishedJanuary 23, 2022
Best-Sellers: ‘Cloud Cuckoo Land,’ ‘Atlas of the Heart’
The current top-selling fiction and nonfiction books at Longfellow Books in Portland.
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PublishedJanuary 23, 2022
Art review: Oliver Solmitz stimulates with sculpture show
‘Enter the Space’ is up at Maine Jewish Museum through Feb. 25.
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PublishedJanuary 23, 2022
A streaming Sundance has its benefits
There’s pivoting, and then there’s whiplash. A couple of weeks ago, the 44th annual Sundance Film Festival was ready to launch on Jan. 20 as a nine-day hybrid event, welcoming filmmakers and audiences back to Park City, Utah, for the first time in two years while also making films available online to movie lovers around […]
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PublishedJanuary 17, 2022
Bar Guide: Not abstaining this year? Make it a dry Ginuary instead
Local distilleries have a variety of takes on the spirit.
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PublishedJanuary 17, 2022
Eat & Run: Get a farm-to-takeout meal at Turner cafe
Nezinscot Farm serves a menu of breakfast and lunch items made with uber-local ingredients.
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PublishedJanuary 17, 2022
Indie Film: Filmmaker’s hometown plays a surreal, nightmarish role in ‘Wasterville’
In a crowded movie marketplace, Christopher Haase hopes his distinctive, dream-inspired aesthetic will help his project stand out.
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PublishedJanuary 16, 2022
A game of geopolitical chicken, played out in personal terms in ‘Munich: The Edge of War’
A mixture of well-researched historical fact and pure fiction, “Munich: The Edge of War” is a smart and entertaining thriller that suffers from just one thing: We all know how it ends. Set mostly in 1938, just before and during the September conference of world leaders in Munich that gave permission to Adolf Hitler to […]
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