Ask Glen Campbell a simple question, like where his daughter is, and he’s likely to sound confused.

But put him on a stage with a guitar in his hand, and he’s still likely – at age 76 and more than a year after being diagnosed with Alzheimer’s disease – to wow audiences with the power and emotion of his music.

“When I saw him play (in February), it was one of the most moving shows I’ve ever seen. When he steps out on stage, he knows exactly what to do,” said Patrick Doyle, a Maine native who has covered Campbell for Rolling Stone magazine. “At some points, he would get confused, but then he’d do the guitar part on ‘Gentle on My Mind,’ and the place would get perfectly still.”

Then there’s Campbell earlier this month, at home, answering the telephone. An interview for this story had been scheduled with his daughter, Ashley Campbell. But when the phone rang, Campbell himself answered.

When asked if Ashley was there, Campbell first said no, then began asking other people if she was in the house, then repeatedly asked who was calling. After a minute or two, Ashley took the phone from him.

“It’s hard to see someone as talented and wonderful as him have some difficult moments,” said Ashley, 25, during that phone interview. “But we’re doing this tour because he just wanted to keep playing. He just wants to do what he loves. There are times when it’s difficult for him on stage, and there are more of those lately.”

Campbell’s indefinite “Goodbye Tour,” featuring family members in his backing band, will come to Portland’s Merrill Auditorium on Tuesday, courtesy of Portland Ovations.

People would likely come to see Campbell for any show, given his slew of huge pop hits in the 1960s and ’70s that include “By the Time I Get to Phoenix,” “Wichita Lineman,” “Gentle on My Mind,” “Galveston” and “Rhinestone Cowboy.”

But this tour has the added emotional power of watching a star deal very publicly with a debilitating disease that so many families have faced, or will face, themselves. So he’s not just performing – he’s raising the profile of Alzheimer’s and all those it affects.

“What he’s doing raises awareness so much, and helps deal with the lack of understanding and fear connected with this disease,” said Jessica James, director of communications and advocacy for the Alzheimer’s Association, Maine Chapter, in Scarborough. “We’re definitely excited he’s in town. He’s increasing awareness, and that’s one of our major goals.”

Although Campbell was diagnosed with Alzheimer’s last year, family members say he probably had symptoms for years. In June 2011, he announced his condition publicly, and soon began his “Goodbye Tour” that will take him around the world indefinitely. His backing band on this tour includes at least three of his children at any one time, including Ashley on banjo.

Campbell also has a hit record to tour behind. Last year, he released a new studio album, “Ghost on the Canvas,” which reached No. 6 on Billboard’s Country Albums chart and No. 26 on the Billboard 200 – his highest charting album since “Southern Nights” in 1977.

“Ghost” featured contributions from a range of musicians who praise Campbell for his prowess as a session guitarist and pop singer, and for his influence on the music industry. Those include artists as diverse as Billy Corgan of Smashing Pumpkins, Paul Westerberg of The Replacements and Jakob Dylan of The Wallflowers.

Campbell’s career spans some 50 years, from his session work on pop classics such as “Be My Baby” by The Ronettes and Frank Sinatra’s “Strangers in the Night” to his own hits, which began charting in 1967.

He’s also had success on television with the top-rated variety show “The Glen Campbell Goodtime Hour,” and on film, starring alongside John Wayne in the classic 1969 Western “True Grit.” He was even a member of The Beach Boys for a brief period in the 1960s.

The Arkansas-born Campbell was also well-known for a romance with country singer Tanya Tucker and their mutual downward spiral into drug and alcohol abuse. But he’s been sober for years, and married to the same woman for the last 30 years.

The “Goodbye Tour” has already taken Campbell and his family to Europe before focusing on the U.S. this year. While some critics have found fault with Campbell’s performances – and much has been written about him forgetting lyrics – Doyle and other music writers say Campbell is still well worth seeing.

Ashley says the songs her father does on stage are mostly his hits from the ’60s and ’70s, because those are the songs he’s most comfortable with and has the easiest time performing. “We stick with those, and that seems to work out best for him,” she said.

James says the fact that Campbell appears comfortable onstage while struggling sometimes at home is common among Alzheimer’s sufferers.

“We hear that from a lot of caregivers – the most fundamental pieces of who they are, what they do, don’t go away,” said James.

Ashley says the tour has been a chance for her to see first-hand the impact her father’s music has had on people, given that she was born after he scored his biggest hits.

She’s also been heartened by the compassion fans have for him, as evidenced by them helping him with lyrics by singing along, or cheering louder when he’s struggling through a song. Campbell uses teleprompters to help him with lyrics.

“It’s amazing for me to see these sold-out audiences singing along, and cheering for him even when he messes up on a lyric,” said Ashley. “I never really understood before this how much he impacted people, in so many ways.”

Staff Writer Ray Routhier can be contacted at 791-6454 or at:

rrouthier@pressherald.com

 

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