Sunday, May 26, 2013
By MELISSA RAYWORTH The Associated Press
Going retro has never been easier. Whether you love '50s space-age style, '20s art deco or design from any bygone era, vintage furniture and home accessories are everywhere today.
“A great designer to turn to for geometrics is David Hicks,” says designer Brian Patrick Flynn. Hicks created this wallpaper pattern in the ’60s.
“Vintage lighting (such as this George Nelson pendant from the mid-20th century) is fantastic,” says interior designer Betsy Burnham, but old lampshades should be replaced with fresh ones to “enhance your vintage stuff, make it beautiful again.”
Flea markets and antique shops are stocked with vintage treasures or trash, depending on your perspective. Yard sale season is in full swing, bringing Naugahyde recliners and vintage Tupperware into the daylight after decades of slumber in attics and garages. And at a slew of websites, from niche marketers to the catchall that is eBay, you can find real vintage pieces and endless reproductions.
But while it's simple to get your hands on decor from the past, it's more complicated to use it well.
"Doing retro right is all about balance," says designer Brian Patrick Flynn, founder of decordemon.com. "If you do everything from the same period, your space can become cliche or kitsch. What you mix retro with is what makes the space unique and updated."
We asked Flynn, L.A.-based interior designer Betsy Burnham and HGTV's "Design Star" judge Genevieve Gorder for their favorite retro decorating techniques.
LESS REALLY IS MORE
"If you're really into the '50s, don't do the Formica table, and the jukebox, and an old radio, and five other things," Burnham says. Instead, choose just one or two evocative pieces. "Not only is it more tasteful, but I think it's more effective."
For a client who collects toys and action figures from the '80s, Burnham designed built-in shelves and suggested displaying only part of the collection at one time. "We found a way to have it enhance the space, and not have the space dictated by it," she says.
Treasured retro pieces of furniture or art will be ignored if they're displayed with too many items from the same era. "You won't notice it until you have something to give it contrast," Gorder says, so mix favorite vintage items with contemporary pieces. "The juxtaposition between new and old is a beautiful conversation."
And don't be misled by books about retro design, says Flynn. "If you look in any design book, you're going to see a room that's all packed with things from a certain era," he says. "But it's meant as a reference," not as a template to be replicated.
LIGHT THE WAY
Beyond buying furniture from a given era, you can infuse your home with vintage flair or temper retro furnishings with contemporary style through strategic use of light, pattern, color and texture.
"George Nelson pendants are probably the most iconic form of mid-century pendant lighting, and they mix well with virtually anything," Flynn says. "Table lamps, especially chrome and ball 1970s style, add a nice element of postmodern sexiness to any room."
Burnham agrees: "Vintage lighting is fantastic," she says, but old lampshades should be replaced with fresh ones to "enhance your vintage stuff, make it beautiful again."
Like lighting, patterns and colors "can act as a bridge between yesterday and today," Flynn says. "Start off slow with accent pillows or draperies. If you get comfortable with that, move on to wallcovering. A great designer to turn to for geometrics is David Hicks. His prints are still in production today and just as popular now as they were in the 1970s."
In his own home, Flynn highlighted the house's mid-century architecture by using 1970s diamond-patterned wallpaper and Nelson pendent lights above the side tables, contrasted with a traditional bed. "The room has a definite retro appeal," he says, "but it doesn't feel forced or out-of-the-box."
He's also a fan of grasscloth, which can give walls a '50s or '70s vibe, and using contemporary color combinations in retro rooms (try black, gray and blue "with pops of Kelly green" for a "swanky, masculine and entertaining-savvy" look, Flynn says).
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