Monday, May 20, 2013
From staff reports
AUGUSTA - A federal judge ruled Friday that Gov. Paul LePage was within his right to "government speech" when he removed a mural depicting labor history from a state office building.
Interested Mainers study a mural by Judy Taylor depicting the history of labor in Maine. A judge ruled Friday that Gov. Paul LePage had a right to remove the mural. LePage's actions created a controversy in Maine.
Press Herald file photo
Judge John Woodcock Jr.
U.S. District Judge John A. Woodcock Jr. issued the 91-page ruling dismissing the lawsuit, which was filed last year and sought to have the mural reinstalled at the Department of Labor. Oral arguments were held in U.S. District Court in Bangor earlier this month.
"The governor has as much right not to project a message about the history of Maine labor in a state-owned mural as he would to decline to read aloud a history of labor in Maine written by the prior administration," Woodcock wrote. "In other words, as the Supreme Court held, a government entity has the right to 'speak for itself."'
The controversy surrounding the 11-panel mural began a year ago, when LePage ordered it removed from a small waiting room and stored in a secret location. The mural depicts the history of organized labor in Maine and the country, with images of Rosie the Riveter and a shoe-worker strike in Lewiston. It's removal became a national news story.
At the time, LePage called the mural "one-sided" and said he did not want to send the wrong message to employers in Maine.
The mural's removal prompted widespread criticism and the federal lawsuit filed on behalf of three artists, a workplace safety official, an organized labor representative and an attorney alleging that LePage violated First Amendment rights protected in the U.S. Constitution, as well as the state's contract with the artist.
"We have a legal decision but nothing resembling justice," artist Robert Shetterly, one of the plaintiffs, told The Associated Press. "What's been censored, what's been removed and suppressed, is not just (the artist's) free speech against the governor's free speech or government speech -- what's been censored is our history."
But LePage spokeswoman Adrienne Bennett said Friday that the administration felt all along that the lawsuit was more about politics than art.
"We've always believed this was a frivolous, politically motivated lawsuit," she said. "It would be stunning if government officials were to be barred from making different artistic choices from their predecessors."
Attorney Jeffrey Neil Young, who represented the plaintiffs, said in a statement that they won the case "in the court of public opinion."
"Mainers recognize what the court has failed to appreciate," he said. "That the removal of the mural is nothing less than government censorship of artistic speech in violation of the First Amendment. The mural is no more government speech than the mural that hangs in the lobby of the courthouse in Bangor when you go through security to enter the building."
The plaintiffs haven't yet decided whether to appeal.
The mural was commissioned in 2008 by then-Gov. John Baldacci's administration during renovations of the leased office space in Augusta. The state spent $60,000 on the piece and directed artist Judy Taylor of Tremont to create a mural that emphasized the "value and dignity of workers and their critical role in creating the wealth of the state and nation."
During oral arguments in Bangor, plaintiffs' attorney Jonathan Beal argued that because the artist created the work and was expressing her ideas, LePage's decision to remove the mural stifled her free speech rights.
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click image to enlarge
Removing this 36-foot labor-history mural from the lobby of the Department of Labor in Augusta was an act of “government speech” excercised by the sitting governor, according to a ruling Friday by U.S. District Judge John A. Woodcock Jr. in Bangor. Critics say the action was “nothing less than government censorship of artistic speech in violation of the First Amendment.”
Imbrogno Photography courtesy of Judy Taylor Studio